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One of the greatest threats to any recording session is phase cancellation. It’s a sneaky result that you end up with when you’re not careful with microphone placement, and can even turn up AFTER you’ve tracked everything if you’re not careful when editing your tracks.
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If you’ve already wrapped on tracking for a song, or you’re somebody that records guitars with a DI, are you out of luck? Not with this simple trick.
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When your mix is almost finished, you can start to feel the law of diminishing returns kick in. It can become extremely frustrating when you’re close to completion and it still feels like something’s missing.
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This post-production approach to guitar isn’t new – the virtuosos have been using it for decades. Some of the biggest names in the guitar realm know that the studio is just another tool to use for new sonic exploration, and that’s a big reason studio albums from the likes of Buckethead, Steve Vai & Joe Satriani have all kinds of techniques applied.
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Looking to unlock your in-the-box guitar tones by adding impulse responses (IRs), but not really sure where to get started? Fear no more! This guide will serve as your step-by-step tutorial on loading IRs into your session and how you can find the perfect IR for your song.
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