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Sometimes engineers and producers might play around with the timing of the editing and mixing parts of their process if it makes sense for that session. Let’s take a look at when that might be a good idea…
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The genres I want to talk about today have value in being some of the most difficult to work with while having a huge mainstream appeal. We won’t get into any kind of subgenre nonsense that’s difficult because you’ve never heard of it.
A great mix is going to sound amazing regardless of if you’re in a multi-million dollar studio, at home with some headphones, or playing back through a loudspeaker system at a concert. There are many key concepts that audio engineers can carry over from the studio to a live sound environment, but the similarities don’t just stop there.
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I don’t care what genre you work with, what your role in the recording process is, or even what your experience level is in the music industry – having service industry experience will get you more clients. Period.
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There are literally thousands of plugins available to producers and mixers today. With these five tools alone, you should be able to take a well-recorded song and turn it into a radio success.
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