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Just like your electric guitars, bass has several options to achieve a variety of brutal bass tones, but it all starts at the source.
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As quickly as djent has grown and catapulted itself to the forefront of modern metal genres, many new entries seem to be missing one mark along the way: mastering.
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On the road, dynamic microphones tend to make a lot of sense. They’re less expensive than condenser mics, more rugged & can handle to wear and tear that comes with being stored in a trailer that can drop below freezing and reach well over 100 degrees over the course of a tour.
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Have you ever watched a movie, played a video game, or even listened to a song where everything sudden goes lo-fi from a HUGE impact? Whether it’s a bomb going off, shotgun blast, or some other special effect, audio engineers are able to take these sounds to new extremes with in the box processing.
Do you have what it takes to pull off huge sounding guitars in your mix? I’m talking about the absolute killer guitar chops that provide a sonic tidal wave over your mix, driving a song forward and tearing up everything in their path.
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