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When your mix is almost finished, you can start to feel the law of diminishing returns kick in. It can become extremely frustrating when you’re close to completion and it still feels like something’s missing.
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It’s a lofty claim, I know. “But Joey, there’s no way one guitar tone is going to work all the time” you’re probably thinking to yourself. And I agree, 100%.
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This post-production approach to guitar isn’t new – the virtuosos have been using it for decades. Some of the biggest names in the guitar realm know that the studio is just another tool to use for new sonic exploration, and that’s a big reason studio albums from the likes of Buckethead, Steve Vai & Joe Satriani have all kinds of techniques applied.
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Guitar production is key to a great rock or metal mix, and there are certain elements of tracking and mixing that have become commonplace in modern productions. These practices are something you should be putting in place on every session you hope to see the light of day. If you’re not, you’re going to be missing out to your competition.
Looking to unlock your in-the-box guitar tones by adding impulse responses (IRs), but not really sure where to get started? Fear no more! This guide will serve as your step-by-step tutorial on loading IRs into your session and how you can find the perfect IR for your song.
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