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Engineers, mixers, and producers spend tons of time improving their craft. Whether it’s done through new plugins or reference tracks – we’re always trying to be the best at what we do.
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On the road, dynamic microphones tend to make a lot of sense. They’re less expensive than condenser mics, more rugged & can handle to wear and tear that comes with being stored in a trailer that can drop below freezing and reach well over 100 degrees over the course of a tour.
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Do you have what it takes to pull off huge sounding guitars in your mix? I’m talking about the absolute killer guitar chops that provide a sonic tidal wave over your mix, driving a song forward and tearing up everything in their path.
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One of the greatest threats to any recording session is phase cancellation. It’s a sneaky result that you end up with when you’re not careful with microphone placement, and can even turn up AFTER you’ve tracked everything if you’re not careful when editing your tracks.
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If you’ve already wrapped on tracking for a song, or you’re somebody that records guitars with a DI, are you out of luck? Not with this simple trick.
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