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When it comes to mixing the three main types (overdrive, fuzz & distortion), is one inherently easier to work with than another?
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The process of recording and mixing acoustic instruments can be intimidating to producers that work predominantly in-the-box, but there’s really nothing to be nervous about.
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Just like your electric guitars, bass has several options to achieve a variety of brutal bass tones, but it all starts at the source.
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As quickly as djent has grown and catapulted itself to the forefront of modern metal genres, many new entries seem to be missing one mark along the way: mastering.
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Finding a way to keep the rhythms and leads balanced throughout a song can be a lot to take on for many engineers, especially those who aren’t familiar with double or even quad tracked guitar parts.
