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A 3-dimensional mix is necessary to remain competitive in the music industry. With track counts soaring higher all the time, engineers need more than the traditional LCR approach to combat particularly dense mixes.
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Okay, you caught us red-handed… We crushed the hell out of it. Cranked the Slay up to infinity and let it go to town. Fattened it up with a little extra Body and threw to the wolves (disclaimer: no wolves were involved in the making of this song, unfortunately).
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Anyone can throw a limiter on a track, crush the source audio and get a crispy, aggressive sound out of it. It takes a handful of small tweaks around most limiters to get the most out of them – here are a few of our favorite ways to supercharge our limiters for optimal performance:
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When building up a lead vocal track, we spend so much time focusing on dialing in the right settings that it’s easy to forget how boring a static vocal can be.
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How often do you hear other engineers tell each other they’re doing something wrong or “that’s not the way I’d treat that”? For as much good information getting shared between your peers, there is plenty more toxic information that gets spread.
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