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In order to stay competitive with modern rock and metal (heck, even today’s pop music), you need your mixes to get LOUD. Unfortunately, the loudness wars aren’t going anywhere fast – everything today is compressed to have that crispy, glistening shine that listeners expect every song to have.
Chorus vocals are the moneymakers for a lot of music – not just in pop. When you listen to a song that grows and grows through an intro & verse before hitting its peak in the chorus, it has a therapeutic “release
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Bass not low enough? Not enough rumble in your track? Can you hear the low-end frequencies pulsating against your ears, but can’t quite seem to give your mix the kick it needs to feel the music?
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You ever look at a trailer or van and think, “there’s no way all of our gear is fitting in there”? Then, as if by magic, you can’t even fill half the space with all the hidden room you found inside? Whether you have or not, I bet you never thought you’d have that experience with a plugin.
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Drum gating has been one of the most frequently used techniques to isolate drums both in the studio and on stage as far back as I can remember. For a lot of engineers, it isn’t even a second thought – it’s a must-
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