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As terrifying as a deep, droning guitar can sound in a doom metal track, there’s something about a faint, frail vocal that can send shivers down your spine too.
There’s little that can derail a studio session as quickly as a singer who’s blown out their voice, which is why we want to avoid getting to that point as much as possible.
How do you make sure you’re not overdoing anything and avoid accidentally nuking the dynamics of your mix?
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Let’s take a look at how you can achieve those without digitally clipping a thing!
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Today, I want to take a look at three of the most common situations you’ll be faced with where a delay is 100% the right choice over a reverb.
