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There are only so many things people can get completely wrong about recording and mixing music, but I don’t think we’re seeing the end of that list any time soon.
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Unless you’ve gotten the chance to check out an anechoic chamber in person – everything you’ve ever heard has had some type of reverb or delay to it.
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Guitar solos are one of those things that you can never have enough of. Over the top shredding finds its way front and center in tons of rock & metal songs, as well as nearly every other genre that supports a bit of face-melting.
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What’s the largest session you’ve ever worked on? 50 tracks? 100 tracks? 200? At what point do you start losing individuality between the tracks and start muting instruments for space?
Tracking guitars can be an extremely long process that requires an acute attention to detail – not just from the guitarist, but the engineer/producer as well.
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