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Echoes and delays can sound amazing when used in the right context, but what do you do when they’re muddying up your source audio track?
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Tracking guitars can be an extremely long process that requires an acute attention to detail – not just from the guitarist, but the engineer/producer as well.
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Recording guitars for a demo can be a tedious task. For a lot of us, we know these demo guitar tracks aren’t going anywhere near the final mix. If you’re tracking guitars live for a demo session, you’re much more likely to set up a mic quickly – looking for a “good” tone, but not really dialing it in perfectly.
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We’ve gone into how to use impulse responses in your mixes before, but we haven’t done a deep dive into what makes a good impulse response (and why it matters so much).
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If your vocals sound good but they’re struggling for clarity in the mix, there are dozens of options at your disposal to give them more presence. The most common option is to turn them up, but that’s not ideal for every situation, especially on a more dynamic vocal track.
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