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How often do you hear other engineers tell each other they’re doing something wrong or “that’s not the way I’d treat that”? For as much good information getting shared between your peers, there is plenty more toxic information that gets spread.
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It’s time you started focusing on adding power, punch & low-end to your kick drum. We’re feeling a bit rebellious though, so instead of the traditional compression or EQ trick, why don’t we expand our toolkit (and skill set) a bit?
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I hope that anyone with more than a few days worth of musical experience knows not to plug an electric bass into a guitar amplifier without risking damage. If you don’t, I’m here to tell you now: Don’t do it.
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Do you use busses/aux tracks when mixing? Busses are a great way to group elements of your mix before the master fader, and can make it easy to turn elements of your mix up or down after you’ve already applied processing to individual tracks.
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For a lot of us, there are certain elements of a mix that we always find ourselves fixing, especially when the tracks are coming from other engineers. For some of us, one of the most common problems is an overabundance of low end in kick drums.
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