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When you think of distorted vocals, I bet you’re thinking of screamed lyrics and guttural noises. It’s not hard to see why your mind would go there – distortion has been a huge element of rock and metal since the early days.
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We’ve gone into how to use impulse responses in your mixes before, but we haven’t done a deep dive into what makes a good impulse response (and why it matters so much).
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How often do you hear other engineers tell each other they’re doing something wrong or “that’s not the way I’d treat that”? For as much good information getting shared between your peers, there is plenty more toxic information that gets spread.
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It’s time you started focusing on adding power, punch & low-end to your kick drum. We’re feeling a bit rebellious though, so instead of the traditional compression or EQ trick, why don’t we expand our toolkit (and skill set) a bit?
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I hope that anyone with more than a few days worth of musical experience knows not to plug an electric bass into a guitar amplifier without risking damage. If you don’t, I’m here to tell you now: Don’t do it.
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