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Tracking guitars can be an extremely long process that requires an acute attention to detail – not just from the guitarist, but the engineer/producer as well.
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Snare drums are some of the loudest pieces of any drum set, and for good reason. The crack of a good snare combined with the power of a kick drum is the driving force behind every good rhythm section.
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Top engineers are always looking for ways to take on more creative control in the mix process, and time-based effects are one of the first tools they reach for to get them there.
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When you think of distorted vocals, I bet you’re thinking of screamed lyrics and guttural noises. It’s not hard to see why your mind would go there – distortion has been a huge element of rock and metal since the early days.
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We’ve gone into how to use impulse responses in your mixes before, but we haven’t done a deep dive into what makes a good impulse response (and why it matters so much).
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