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As engineers and producers, we’re tasked to get the most we can out of the space between two speakers. Seems like a simple task, right?
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What’s the largest session you’ve ever worked on? 50 tracks? 100 tracks? 200? At what point do you start losing individuality between the tracks and start muting instruments for space?

Echoes and delays can sound amazing when used in the right context, but what do you do when they’re muddying up your source audio track?
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Going into a mix, it’s easy to get caught up in best practices and “clean-up” mode. When this happens, you forget that at its core, mixing music is a creative experience. So once you’ve got your tracks cleaned up and mix-ready, give some of these creative compression techniques a try.
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