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You guys must think I’ve lost it, right? Why else would I be talking about putting strings on an instrument that was recorded a month ago? Stick with me, because this one could really salvage some of your mixes…
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Top engineers are always looking for ways to take on more creative control in the mix process, and time-based effects are one of the first tools they reach for to get them there.
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If you haven’t noticed yet – there’s a common theme that runs throughout every great drum sound of at least the last 2-3 decades. It makes use of some of the most common studio post-processing in some of the most unconventional ways.
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When you think of distorted vocals, I bet you’re thinking of screamed lyrics and guttural noises. It’s not hard to see why your mind would go there – distortion has been a huge element of rock and metal since the early days.
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Getting drums to sit in a mix is hard work. As one of the most dynamic instruments you’ll ever touch – they’ve got a lot to offer your mix.
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