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Guitar solos are one of those things that you can never have enough of. Over the top shredding finds its way front and center in tons of rock & metal songs, as well as nearly every other genre that supports a bit of face-melting.
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What’s the largest session you’ve ever worked on? 50 tracks? 100 tracks? 200? At what point do you start losing individuality between the tracks and start muting instruments for space?
Echoes and delays can sound amazing when used in the right context, but what do you do when they’re muddying up your source audio track?
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Tracking guitars can be an extremely long process that requires an acute attention to detail – not just from the guitarist, but the engineer/producer as well.
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While there’s always going to be an appeal to a well-tracked clean & intelligible vocal, sometimes you need to step outside of the box a bit. Vocal performance styles vary greatly between different singers, but there are certain techniques that are universal in creating lush soundscapes; none more relevant to production than the reverse delay swell.
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