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On the road, dynamic microphones tend to make a lot of sense. They’re less expensive than condenser mics, more rugged & can handle to wear and tear that comes with being stored in a trailer that can drop below freezing and reach well over 100 degrees over the course of a tour.
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Have you ever watched a movie, played a video game, or even listened to a song where everything sudden goes lo-fi from a HUGE impact? Whether it’s a bomb going off, shotgun blast, or some other special effect, audio engineers are able to take these sounds to new extremes with in the box processing.
With so much other stuff going on, how can you get your acoustic instrumentation to cut through when it needs to and fit into its own pocket when it’s not being featured in a session?
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How awesome would it be if you could achieve a slamming drum mix with just a couple of plugins and a few minutes of your time?
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Bass amps are a tricky piece of any mix. Too often it gives you way too much to work with and you need to carve it way down to fit your needs.
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