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A great vocal double is subtle to listeners, but as an audio professional, you should be able to pick them out when you hear them.
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Have you ever heard an instrument in a mix and instantly fallen in love with it? For thousands of producers and engineers, this is part of a constant cycle of inspiration, and often one that leads to seeking out exactly how that mixer got the sound they did.
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Today, I want to look at the benefits of using instrument-specific compressors: compressors designed to get you the best possible results for various types of instruments and why they’re a better option than your stock compressor plugin.
Today, we’re going to talk about some of the gear you need, how it all works together, and most importantly – how you set up a microphone for singing.
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While we’ll touch a bit on some processing that may help you realize your vision, the main focus is going to be on how to create effective vocal stacks and why this technique gets such great results.
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