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Sometimes engineers and producers might play around with the timing of the editing and mixing parts of their process if it makes sense for that session. Let’s take a look at when that might be a good idea…
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Time is money and that means the more time you take to make mix decisions is the less your time is worth (if you’re working at a project rate). If you’re someone that works an hourly rate, you’ll end up charging your clients for time that’s frankly wasted to them.
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On the road, dynamic microphones tend to make a lot of sense. They’re less expensive than condenser mics, more rugged & can handle to wear and tear that comes with being stored in a trailer that can drop below freezing and reach well over 100 degrees over the course of a tour.
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Your vocals are already front and center, but if your mix is too dense does that even matter?
Tools like JW BG-Vocals might have been created with the intent of making a powerhouse vocal compressor, there are no rules saying they can’t be used elsewhere.
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