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Not every session that we work on comes with aggressive guitars, pounding drums & in-your-face vocals; sometimes we get the soothing tracks complete with a gentle female lead vocal.
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A well-compressed vocal performance is capable of sending chills down your spine. Defining the correct way to compress a voice is difficult though, because no two vocal performances are identical.
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So you’ve learned the in’s and out’s of parallel compression and you’re ready to take it to the next level? Or maybe you’re just getting started with parallel processing and you’d like to see what could be done when pushed to the max.
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There are only so many things people can get completely wrong about recording and mixing music, but I don’t think we’re seeing the end of that list any time soon.
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We talk so much about fixing dense mixes filled with walls of guitars, stacks of vocals, and thick, punchy drums that it’s easy to forget the opposite end of the spectrum sometimes.
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