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As you prepare to argue and tell me that I’m crazy for suggesting your mix needs less bass, take a deep breath and think about all of the fighting you’ve done with bass guitars in the past. It takes a lot of time and energy to get a decent bass tone at every stage in the recording process.
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There are many different types of compression, each with its own color or flavor that you should be using to control your mix. The best compressors are able to help you navigate the waters between those sounds.
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Some songs you just don’t want to end. There’s something satisfying about songs that sink into a groove that slowly fade into oblivion, but relying too heavily on this technique is just plain lazy.
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Can we take a time out real quick, step back, and look at what it is that separates a good mix from a bad one? At first glance, a good mix has a good amount of separation. You should have clarity between instruments.
Clipping could very well be the next big thing to bring aggressive, ferocious depth to drums, screams & so much more. If you’re not using some type of clipper plugin on your heavier mix elements, you’re actually pretty late to the party.
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