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If you’re looking for one of the easiest advanced production techniques to learn, you’ve come to the right place. By the time you finish reading this blog, you’ll have all the tools you need for advanced stutter editing which can be applied to any instrument in any genre.
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No matter what your experience level, I’m willing to bet these two things have affected you at one point or another: loudness and laziness.
Every engineer wants a massive, hard-hitting drum tone with powerful attack that cuts through the mix. What a lot of them don’t realize is that great drums come from the shells themselves just as much as the heads that are on them. While micing the bottoms of every tom still gets used by some engineers, the vast majority find their balance with a top mic alone with great placement.
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Picking the right Direct Input (DI) box is one of the biggest upgrades you can make to your recording rig.
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This post-production approach to guitar isn’t new – the virtuosos have been using it for decades. Some of the biggest names in the guitar realm know that the studio is just another tool to use for new sonic exploration, and that’s a big reason studio albums from the likes of Buckethead, Steve Vai & Joe Satriani have all kinds of techniques applied.
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