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Truth be told – turning up the gain on the amp and the effects of gain reduction aren’t very dissimilar at all. They both add harmonic distortion and saturation to a signal. They both work to effectively even out the peaks of a signal, resulting in a smoother, more even sound. So if they’re virtually doing a lot of things the same, how does gain reduction stand out from other processes in the recording studio?
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Recording bass directly is one of the most common techniques in the studio across many different genres. Producers love the clear, unaltered low end present in a great DI recording and the pliability that sound has in the mix. While...
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When it comes to working on mixing a hip-hop track, great low end is expected from your audience. They want something clean and punchy – a kick drum and sub combination that they can feel. To accomplish this, there are...
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Today, the same aggression and raw performances are there, but the technology has changed the way we approach recording and mixing grunge.
So what’s an engineer or mixer to do when their cleaned tom tracks don’t have the same body and decay they did in the session?
