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Let me give you a couple examples of what I know I’m not supposed to be doing in my mixes that have given me some of my best results.
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So how do you go about finding the middle ground where your vocal is loud and present without being obnoxiously so? How do you get a vocal that stays upfront without “jumping out” in front of everything else? It all starts with a vocal chain that can massage a vocal into place.
Prog metal guitar tone has never been more accessible for your mixes than it is right now.
Here’s exactly what you need to get a professional-sounding vocal mix.
So you want to master the art of drum editing, huh? Whether you’re a complete beginner to drum editing and mixing or you’re someone that’s been doing it for a while and looking for new techniques to improve your workflow, knowing how to slip edit drums is an essential skill that I recommend learning.
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