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You may find that bassists tend to stick to smaller setups that provide consistency and versatility above all else. Here’s why I think that is.
So what is it that makes Taylor tick? Where are most of his efforts focused in his productions to get these results? Most importantly – what can you take from his mixes and start applying them to your own today?
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Once you’ve got your drum kit set up for success and you’re ready to start placing mics, it’s time to take into account the one piece of the kit that too many engineers overlook: the room itself.
Harsh vocals are a pretty common problem for many mixers. Let’s take a look at some of the most frequent ways professionals clear up a harsh vocal recording in their mixes.
How much of your mixes low end come from the bass guitar track? 50%? 90%? How would you actually measure it?
