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One of the first stock plugins that engineers get their hands on in just about every DAW is the de-esser: a plugin designed to do exactly as the name implies.
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Let’s take a look at one of the most common examples: reamping a DI track.
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Where does mixing end and mastering begin? If someone has the capability to master a song, where do they draw the line and say they’re done?
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When you’re looking at blurring the line between two genres in a cover song or paying tribute to another style of music with an original composition of your own, there are a few crossover techniques you need to be using to get the best possible results.
With so many guitars flying around these sessions with virtually unlimited track counts, how do you go about getting each of them to sound right (and get the guitar mix as a whole to sound right too)?
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