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Do you have what it takes to pull off huge sounding guitars in your mix? I’m talking about the absolute killer guitar chops that provide a sonic tidal wave over your mix, driving a song forward and tearing up everything in their path.
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When your mix is almost finished, you can start to feel the law of diminishing returns kick in. It can become extremely frustrating when you’re close to completion and it still feels like something’s missing.
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Vocals are about as universal as instruments come. Excluding instrumental/orchestral, most modern music has some type of vocal performance tied to it. How we treat and produce those vocals can vary greatly.
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Hey, we’ve all made bonehead mistakes. It doesn’t mean you’re some kind of idiot that can’t tell a bass guitar from a largemouth bass, it just means at some point or another you’ve made a mistake that you should’ve seen coming from a mile away.
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This week, I want to make a case for why your lead guitars deserve the same amount of attention, and (usually) similar processing to your lead vocals. For some this might already seem commonplace, while to others, it’s going to sound absolutely crazy and unrealistic.
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