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Resonance is one of those things that plagues audio professionals – from acousticians to ADR recordists to live sound engineers. Those of us who spend our time in the studio aren’t an exception to the problem.
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The truth is you don’t need tons and tons of samples to choose from to find the right kick for your mix. In fact, it’s likely already in your collection and just needs a little manipulation to fatten it up and get it sounding right.
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No matter the angle you’re coming from, there are a handful of simple yet effective production tricks that can make your choruses hit harder. Here’s how you can begin using them in your sessions…
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We’ve covered the second half of that pretty in depth on the blog in the past – tips for mixing your bass DI and ways to get it to sit right in the mix, so today we wanted to change things up a bit and look at one of the biggest decisions a bassist needs to make ahead of their performance: should they use their fingers or a pick?
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What should you do if you find yourself faced with a bass guitar tone that just doesn’t cut through the mix in the way you need it to? How do you get your bass to compete with massive, layered guitars and punchy, explosive drums? With a bit of pre-planning and a few simple mix hacks, of course!
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