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We talk so much about fixing dense mixes filled with walls of guitars, stacks of vocals, and thick, punchy drums that it’s easy to forget the opposite end of the spectrum sometimes.
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As engineers and producers, we’re tasked to get the most we can out of the space between two speakers. Seems like a simple task, right?
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Vocal production requires a serious amount of finesse from engineers. It’s one of those skills that can keep a steady flow of work coming your way and it’s easy to hear why. When you absolutely nail a vocal in a song, others will notice. Here are just a few of the places you can start to create a powerful, attention-capturing vocal:
Tape machines are fickle, hard-to-control, antiquated pieces of music history that would happily collect dust and dirt in an attic if we let them. They’re a pain to maintain and parts are fewer and far between.
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It’s time you started focusing on adding power, punch & low-end to your kick drum. We’re feeling a bit rebellious though, so instead of the traditional compression or EQ trick, why don’t we expand our toolkit (and skill set) a bit?
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