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Let’s take a look at some of the prime cases of when and when not to use time-based effects on your background vocals.
Let me give you a couple examples of what I know I’m not supposed to be doing in my mixes that have given me some of my best results.
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So how do you go about finding the middle ground where your vocal is loud and present without being obnoxiously so? How do you get a vocal that stays upfront without “jumping out” in front of everything else? It all starts with a vocal chain that can massage a vocal into place.
Prog metal guitar tone has never been more accessible for your mixes than it is right now.
So you want to master the art of drum editing, huh? Whether you’re a complete beginner to drum editing and mixing or you’re someone that’s been doing it for a while and looking for new techniques to improve your workflow, knowing how to slip edit drums is an essential skill that I recommend learning.
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