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Let’s take a look at how the processing for each type of vocal differs.
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Let’s take a look at some of the prime cases of when and when not to use time-based effects on your background vocals.
Let me give you a couple examples of what I know I’m not supposed to be doing in my mixes that have given me some of my best results.
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So how do you go about finding the middle ground where your vocal is loud and present without being obnoxiously so? How do you get a vocal that stays upfront without “jumping out” in front of everything else? It all starts with a vocal chain that can massage a vocal into place.
Prog metal guitar tone has never been more accessible for your mixes than it is right now.
