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Lead vocals deserve thick and present in just about any major music production. Sometimes, that requires you to record layer after layer of vocals making them harmonically dense and filling out the frequency spectrum. Other times, all it requires is a single, well-recorded voice with some post-processing that helps ...
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Do you remember your first mix? On a scale of 1-10, how would you rate it's quality?
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A vocal in need of compression should be easy to spot in a mix. If some parts sound buried while others pop out in front of everything else, you don't need automation. You need a compressor.
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There are literally thousands of plugins available to producers and mixers today. With these five tools alone, you should be able to take a well-recorded song and turn it into a radio success.
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On the road, dynamic microphones tend to make a lot of sense. They’re less expensive than condenser mics, more rugged & can handle to wear and tear that comes with being stored in a trailer that can drop below freezing and reach well over 100 degrees over the course of a tour.
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