Learn
![A 5-Minute Fix for Tighter Bass Guitars](http://joeysturgistones.com/cdn/shop/articles/2EDB9972-5FE1-47C9-86F2-3A3E1804239C_{width}x.png?v=1631932463)
We’re going to explore a 5-minute fix that’s guaranteed to make that happen for you.
![How To Get a Gritty Bass Guitar Tone](http://joeysturgistones.com/cdn/shop/articles/1344C50F-101E-4FFD-863F-9AACF5731F1E_{width}x.jpg?v=1625894718)
Today, we’ll look at how grittier bass tones accomplish this, plus so much more.
Continue reading
![Making Your Bass Guitar GROWL!](http://joeysturgistones.com/cdn/shop/articles/4DF72DB3-B528-4300-A8A4-EEF9FA300ECA_{width}x.jpg?v=1604725431)
Growl is a combination of some low-end grit, a bit of overdrive, and even a little top-end sheen to help it cut through. It’s a common tone for rock and metal, but one that’s hard to dial in just right.
![This Is Why Studio Secrets Work For The Stage](http://joeysturgistones.com/cdn/shop/articles/JST_blogCovers_studioStage_POST_1280x720_146a4231-a08a-4b12-9e0a-f83ba39ca523_{width}x.jpg?v=1549907467)
A great mix is going to sound amazing regardless of if you’re in a multi-million dollar studio, at home with some headphones, or playing back through a loudspeaker system at a concert. There are many key concepts that audio engineers can carry over from the studio to a live sound environment, but the similarities don’t just stop there.
Continue reading
![Overdrive, Fuzz, Distortion: What’s The Difference?](http://joeysturgistones.com/cdn/shop/articles/JST_blogCovers_differenceDistortion_POST_1280x720_27f9b0f7-6f5b-4107-9865-f629ed853166_{width}x.jpg?v=1547757405)
When it comes to mixing the three main types (overdrive, fuzz & distortion), is one inherently easier to work with than another?
Continue reading