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We’re going to explore a 5-minute fix that’s guaranteed to make that happen for you.
Today, we’ll look at how grittier bass tones accomplish this, plus so much more.
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Growl is a combination of some low-end grit, a bit of overdrive, and even a little top-end sheen to help it cut through. It’s a common tone for rock and metal, but one that’s hard to dial in just right.

A great mix is going to sound amazing regardless of if you’re in a multi-million dollar studio, at home with some headphones, or playing back through a loudspeaker system at a concert. There are many key concepts that audio engineers can carry over from the studio to a live sound environment, but the similarities don’t just stop there.
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When it comes to mixing the three main types (overdrive, fuzz & distortion), is one inherently easier to work with than another?
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