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Any vocal engineer is going to tell you that the key to a good song is in the quality of the vocal. Of course they would - it’s their job to make sure that’s the case on every session they touch. But they’re not wrong…
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Hopefully by now you’ve come to realize that without a good bass sound, you don’t have a good sound. Period.
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Turning your mixes into a polished, professional final product is a tedious, detail-focused effort. Mixers work to isolate problem areas in individual tracks, clean them up, and tie them all together for an emotional, dynamic mix (hopefully).
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Don’t you hate it when you decide to check out a new song, only to end up getting bored and hitting the skip button after the first minute or so?
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Programming different “sweeteners” into your mix is one of the easiest ways to add a narrative to your productions musically. Without words, programmed instrumentation can add transitions between song sections, bridging the gap between verse and chorus, and eliciting an emotional response in the process.
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