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Time is money and that means the more time you take to make mix decisions is the less your time is worth (if you’re working at a project rate). If you’re someone that works an hourly rate, you’ll end up charging your clients for time that’s frankly wasted to them.
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A great mix is going to sound amazing regardless of if you’re in a multi-million dollar studio, at home with some headphones, or playing back through a loudspeaker system at a concert. There are many key concepts that audio engineers can carry over from the studio to a live sound environment, but the similarities don’t just stop there.
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Country music has been steadily changing for nearly three decades now, perhaps even longer. Ask anyone who listens to country music.
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I don’t care what genre you work with, what your role in the recording process is, or even what your experience level is in the music industry – having service industry experience will get you more clients. Period.
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You might not be able to put your finger on it, but often a DI bass in a mix is just missing something. Call it mojo, funk, tone – whatever it is, it’s just not there. It could be the DI itself that not living up to your expectations, which is why picking the right DI for your studio is so important to your career.
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