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The reality is, there are A LOT of great snare sounds – making our jobs as engineers and mixers challenging with every session we work on.
Some engineers often don’t think of double tracking is with lead guitars where there’s plenty of ground left to cover. That’s where we’re going to focus our attention today.
What should you do if you find yourself faced with a bass guitar tone that just doesn’t cut through the mix in the way you need it to? How do you get your bass to compete with massive, layered guitars and punchy, explosive drums? With a bit of pre-planning and a few simple mix hacks, of course!
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Whether you’re about to jump into your first session as the engineer behind the DAW or you’re a seasoned vocal engineer that’s done hundreds or thousands of sessions, there are a handful of best practices to follow when you’re working with vocalists that can lead to infinitely better results.
We’re going to take a look at why that is and how do-it-yourself bass drops are the perfect solution to their problems.
