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Do you guys use transient processors in your mixes or do you tend to stick to more conventional dynamic processors?
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Comping vocals is a great way to get the sound you're after, but did you know it works for other instruments as well? If you're improvising a guitar solo, try comping together 2 or 3 takes - you just might be surprised by the results!
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Audio post-production is grouped into two main categories: music and film. While the film side seems to take post-production as an essential part of the process, music producers don't always feel the same way.
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When recording your vocals, do you compress on the way in or prefer to save it for the mix?
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Even though I'd normally use a spatial widener to add width to a snare drum, something got me thinking about an older reverb technique I used to use for similar results. Have you ever abandoned a technique for a while and had it suddenly resurface out of nowhere while you're working?
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