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A great mix is going to sound amazing regardless of if you’re in a multi-million dollar studio, at home with some headphones, or playing back through a loudspeaker system at a concert. There are many key concepts that audio engineers can carry over from the studio to a live sound environment, but the similarities don’t just stop there.
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Country music has been steadily changing for nearly three decades now, perhaps even longer. Ask anyone who listens to country music.
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You might not be able to put your finger on it, but often a DI bass in a mix is just missing something. Call it mojo, funk, tone – whatever it is, it’s just not there. It could be the DI itself that not living up to your expectations, which is why picking the right DI for your studio is so important to your career.
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There are literally thousands of plugins available to producers and mixers today. With these five tools alone, you should be able to take a well-recorded song and turn it into a radio success.
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No, this isn’t a stereo playback thing. It’s not a “your way is wrong and my way is right” type of thing either. This is about why more often than not, I find myself using two compressors when I’m mixing bass guitar.
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