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Vocal compression tips and tricks are great, but they don't address how the compressor affects other plugins downstream. Have you ever had to redo your signal chain because of a setting change earlier in the chain?
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Do you remember your first mix? On a scale of 1-10, how would you rate it's quality?
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Other than making everything louder, what do you expect the mastering process to add to a mix?
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A vocal in need of compression should be easy to spot in a mix. If some parts sound buried while others pop out in front of everything else, you don't need automation. You need a compressor.
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If you’re already mixing music but you’re not getting paid for it, I’m sure you’d love to start. There are plenty of self-recording, self-mixing & self-producing musicians out there – the ones who act as the “technical” person in the band or create music for their own solo project. If this sounds like you, I’ve got some great news.
