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I don’t care what genre you work with, what your role in the recording process is, or even what your experience level is in the music industry – having service industry experience will get you more clients. Period.
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There are literally thousands of plugins available to producers and mixers today. With these five tools alone, you should be able to take a well-recorded song and turn it into a radio success.
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Most audio engineers find their way into recording artists one of two ways. They either played music themselves and had an interest in learning the recording side of things, or they started out with a passion for music without any musicianship and wanted a way to get into working with it every day.
When it comes to mixing the three main types (overdrive, fuzz & distortion), is one inherently easier to work with than another?
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No matter what we feel about our sessions, we really need the feedback (both good and bad) to keep us growing professionally.
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