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Most audio engineers find their way into recording artists one of two ways. They either played music themselves and had an interest in learning the recording side of things, or they started out with a passion for music without any musicianship and wanted a way to get into working with it every day.
When it comes to mixing the three main types (overdrive, fuzz & distortion), is one inherently easier to work with than another?
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No matter what we feel about our sessions, we really need the feedback (both good and bad) to keep us growing professionally.
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With so much other stuff going on, how can you get your acoustic instrumentation to cut through when it needs to and fit into its own pocket when it’s not being featured in a session?
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Bass amps are a tricky piece of any mix. Too often it gives you way too much to work with and you need to carve it way down to fit your needs.
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