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You might not be able to put your finger on it, but often a DI bass in a mix is just missing something. Call it mojo, funk, tone – whatever it is, it’s just not there. It could be the DI itself that not living up to your expectations, which is why picking the right DI for your studio is so important to your career.
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The process of recording and mixing acoustic instruments can be intimidating to producers that work predominantly in-the-box, but there’s really nothing to be nervous about.
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Doing the same thing over and over again rarely turns into a new result. With each and every project you work on, you should be growing and adapting to make the best possible product you can.
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Do you know the difference between multi-tracks and stems? People often ask for stems when they really mean multi-tracks!
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Just like your electric guitars, bass has several options to achieve a variety of brutal bass tones, but it all starts at the source.
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