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When recording your vocals, do you compress on the way in or prefer to save it for the mix?
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Even though I'd normally use a spatial widener to add width to a snare drum, something got me thinking about an older reverb technique I used to use for similar results. Have you ever abandoned a technique for a while and had it suddenly resurface out of nowhere while you're working?
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Vocal mixing isn't just about making a good vocal sound great - it's about the role it's going to play with the other instruments in your mix. How do you make your vocals play nice with other tracks in the session?
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Mastered for iTunes is a cool badge that can be added to high resolution audio files. Have you ever looked to see if your work meets Apple's standards?
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Vocal compression tips and tricks are great, but they don't address how the compressor affects other plugins downstream. Have you ever had to redo your signal chain because of a setting change earlier in the chain?
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