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Since we’re audio engineers, we’re trained to listen closer than most other people do, and this critical listening is imperative when cleaning up unwanted audio in videos. It’s nearly impossible to account for the sound in your surroundings when filming on-site, so a lot of the time some post-production will be necessary.
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Anyone can throw a limiter on a track, crush the source audio and get a crispy, aggressive sound out of it. It takes a handful of small tweaks around most limiters to get the most out of them – here are a few of our favorite ways to supercharge our limiters for optimal performance:
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Do you use busses/aux tracks when mixing? Busses are a great way to group elements of your mix before the master fader, and can make it easy to turn elements of your mix up or down after you’ve already applied processing to individual tracks.
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Learn how to get better compression on drum overheads by using Finality as a "pre-limiter"...
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Learn how to make your drums pack a punch with Finality...
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