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How awesome would it be if you could achieve a slamming drum mix with just a couple of plugins and a few minutes of your time?
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Are you in a situation where you’ve close miced hi hats and aren’t happy with the results? Are you struggling to isolate them from your snare or get them to sit right in your overheads?
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While a bass guitar can be a full frequency spectrum instrument, the majority of it’s sound comes from two specific ranges: the lows and the upper mids. So when you’re looking to break up your bass guitar to create a better overall tone, where do you begin?
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Your EQ is a Swiss army knife when it comes to making things work in the mix. On their own, EQs are capable of taming harsh frequencies, boosting under-represented bands and all kinds of other issues that can plague a particular sound (or group of sounds). Your EQ equalizes the playing field between various instruments. Funny how that works, isn’t it?
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Limiters have always been one of the coolest “toys” in the studio. They’re one of the few toys you can drive past their breaking point, dial them back just a hair, and have an instantly usable, crispy tone.
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